The exhibition juxtaposes different viewpoints. It brings together a collection of works and documents produced by artists, journalists and amateurs, but also those who work in situ: engineers, architects, contractors and – what is rarer – labourers, through votive offerings or masterpieces produced by the Compagnons charpentiers des Devoirs du Tour de France. The exhibition ends with the statements of three contemporary architect-engineers: Patrick Bouchain, Marc Mimram and Martin Rauch, for whom the building site is ever increasingly the space where architecture meets complexity, inventiveness and the aspirations of the modern-day world.
As the result of close collaboration between specialists of art and specialists of techniques, this exhibition offers a diverse interpretation of the theme: it casts a light on the technical dimension, as well as the social, political and artistic dimensions. The path begins with what you would expect to find on a site: construction processes, machines, and men at work. It then highlights the political and social issues about the place that is being built. Even though the site is a highly technical area, it is also a theatre for those in charge, who like to show themselves there, and for the labourers, who are sometimes viewed as oppressed masses, sometimes viewed as heroes.